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Ghostly indie rock from Good Good Blood, with skeletal guitars and distant, echo-shrouded vocals.
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Guitar-wielding duo from Queens, New York, drop atmospheric debut LP, recorded in an ex-bowling alley under a cafe.
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Erudite chamber pop that hearkens back to the elegant and experimental production of the 1960s, swinging from melancholia to playfulness.
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Potent pop songs from this Ontario artist with an alternative edge thanks to toothy guitars & synths that go off like fireworks.
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Enough as it Was
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Terrifically edgy guitar rock defines the latest from Amos the Kid, funneling country influence through a gritty indie aesthetic.
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